Julieta (Movie Tie-in Edition) Page 2

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  Rocks, trees, water, snow. These things, constantly rearranged, made up the scene six months ago, outside the train window on a morning between Christmas and New Year’s. The rocks were large, sometimes jutting out, sometimes smoothed like boulders, dark gray or quite black. The trees were mostly evergreens, pine or spruce or cedar. The spruce trees—black spruce—had what looked like little extra trees, miniatures of themselves, stuck right on top. The trees that were not evergreens were spindly and bare—they might be poplar or tamarack or alder. Some of them had spotty trunks. Snow sat in thick caps on top of the rocks and was plastered to the windward side of the trees. It lay in a soft smooth cover over the surface of many big or small frozen lakes. Water was free of ice only in an occasional fast-flowing, dark and narrow stream.

  Juliet had a book open on her lap, but she was not reading. She did not take her eyes from what was going by. She was alone in a double seat and there was an empty double seat across from her. This was the space in which her bed was made up at night. The porter was busy in this sleeping car at the moment, dismantling the nighttime arrangements. In some places the dark-green, zippered shrouds still hung down to the floor. There was a smell of that cloth, like tent cloth, and maybe a slight smell of nightclothes and toilets. A blast of fresh winter air whenever anyone opened the doors at either end of the car. The last people were going to breakfast, other people coming back.

  There were tracks in the snow, small animal tracks. Strings of beads, looping, vanishing.

  Juliet was twenty-one years old and already the possessor of a B.A. and an M.A. in Classics. She was working on her Ph.D. thesis, but had taken time out to teach Latin at a girls’ private school in Vancouver. She had no training as a teacher, but an unexpected vacancy at half-term had made the school willing to hire her. Probably no one else had answered the ad. The salary was less than any qualified teacher would be likely to accept. But Juliet was happy to be earning any money at all, after her years on mingy scholarships.

  She was a tall girl, fair-skinned and fine-boned, with light-brown hair that even when sprayed did not retain a bouffant style. She had the look of an alert schoolgirl. Head held high, a neat rounded chin, wide thin-lipped mouth, snub nose, bright eyes, and a forehead that was often flushed with effort or appreciation. Her professors were delighted with her—they were grateful these days for anybody who took up ancient languages, and particularly for someone so gifted—but they were worried, as well. The problem was that she was a girl. If she got married—which might happen, as she was not bad-looking for a scholarship girl, she was not bad-looking at all—she would waste all her hard work and theirs, and if she did not get married she would probably become bleak and isolated, losing out on promotions to men (who needed them more, as they had to support families). And she would not be able to defend the oddity of her choice of Classics, to accept what people would see as its irrelevance, or dreariness, to slough that off the way a man could. Odd choices were simply easier for men, most of whom would find women glad to marry them. Not so the other way around.

  When the teaching offer came they urged her to take it. Good for you. Get out into the world a bit. See some real life.

  Juliet was used to this sort of advice, though disappointed to hear it coming from these men who did not look or sound as if they had knocked about in the real world very eagerly themselves. In the town where she grew up her sort of intelligence was often put in the same category as a limp or an extra thumb, and people had been quick to point out the expected accompanying drawbacks—her inability to run a sewing machine or tie up a neat parcel, or notice that her slip was showing. What would become of her, was the question.

  That occurred even to her mother and father, who were proud of her. Her mother wanted her to be popular, and to that end had urged her to learn to skate and to play the piano. She did neither willingly, or well. Her father just wanted her to fit in. You have to fit in, he told her, otherwise people will make your life hell. (This ignored the fact that he, and particularly Juliet’s mother, did not fit in so very well themselves, and were not miserable. Perhaps he doubted Juliet could be so lucky.)

  I do, said Juliet once she got away to college. In the Classics Department I fit in. I am extremely okay.

  But here came the same message, from her teachers, who had seemed to value and rejoice in her. Their joviality did not hide their concern. Get out into the world, they had said. As if where she had been till now was nowhere.

  Nevertheless, on the train, she was happy.

  Taiga, she thought. She did not know whether that was the right word for what she was looking at. She might have had, at some level, the idea of herself as a young woman in a Russian novel, going out into an unfamiliar, terrifying, and exhilarating landscape where the wolves would howl at night and where she would meet her fate. She did not care that this fate—in a Russian novel—would likely turn out to be dreary, or tragic, or both.

  Personal fate was not the point, anyway. What drew her in—enchanted her, actually—was the very indifference, the repetition, the carelessness and contempt for harmony, to be found on the scrambled surface of the Precambrian shield.

  A shadow appeared in the corner of her eye. Then a trousered leg, moving in.

  “Is this seat taken?”

  Of course it wasn’t. What could she say?

  Tasselled loafers, tan slacks, tan and brown checked jacket with pencil lines of maroon, dark-blue shirt, maroon tie with flecks of blue and gold. All brand-new and all—except for the shoes—looking slightly too large, as if the body inside had shrunk somewhat since the purchase.

  He was a man perhaps in his fifties, with strands of bright golden-brown hair plastered across his scalp. (It couldn’t be dyed, could it, who would dye such a scanty crop of hair?) His eyebrows darker, reddish, peaked and bushy. The skin of his face all rather lumpy, thickened like the surface of sour milk.

  Was he ugly? Yes, of course. He was ugly, but so in her opinion were many, many men of around his age. She would not have said, afterwards, that he was remarkably ugly.

  His eyebrows went up, his light-colored, leaky eyes widened, as if to project conviviality. He settled down opposite her. He said, “Not much to see out there.”

  “No.” She lowered her eyes to her book.

  “Ah,” he said, as if things were opening up in a comfortable way. “And how far are you going?”

  “Vancouver.”

  “Me too. All the way across the country. May as well see it all while you’re at it, isn’t that right?”

  “Mm.”

  But he persisted.

  “Did you get on at Toronto too?”

  “Yes.”

  “That’s my home, Toronto. I lived there all my life. Your home there too?”

  “No,” said Juliet, looking at her book again and trying hard to prolong the pause. But something—her upbringing, her embarrassment, God knows perhaps her pity, was too strong for her, and she dealt out the name of her hometown, then placed it for him by giving its distance from various larger towns, its position as regarded Lake Huron, Georgian Bay.

  “I’ve got a cousin in Collingwood. That’s nice country, up there. I went up to see her and her family, a couple of times. You travelling on your own? Like me?”

  He kept flapping his hands one over the other.

  “Yes.” No more, she thinks. No more.

  “This is the first time I went on a major trip anywhere. Quite a trip, all on your own.”

  Juliet said nothing.

  “I just saw you there reading your book all by yourself and I thought, maybe she’s all by herself and got a long way to go too, so maybe we could just sort of chum around together?”

  At those words, chum around, a cold turbulence rose in Juliet. She understood that he was not trying to pick her up. One of the demoralizing things that sometimes happened was that rather awkward and lonely and unattractive men would make a bald bid for her, implying that she had to be in the same boat a
s they were. But he wasn’t doing that. He wanted a friend, not a girlfriend. He wanted a chum.

  Juliet knew that, to many people, she might seem to be odd and solitary—and so, in a way, she was. But she had also had the experience, for much of her life, of feeling surrounded by people who wanted to drain away her attention and her time and her soul. And usually, she let them.

  Be available, be friendly (especially if you are not popular)—that was what you learned in a small town and also in a girls’ dormitory. Be accommodating to anybody who wants to suck you dry, even if they know nothing about who you are.

  She looked straight at this man and did not smile. He saw her resolve, there was a twitch of alarm in his face.

  “Good book you got there? What’s it about?”

  She was not going to say that it was about ancient Greece and the considerable attachment that the Greeks had to the irrational. She would not be teaching Greek, but was supposed to be teaching a course called Greek Thought, so she was reading Dodds again to see what she could pick up. She said, “I do want to read. I think I’ll go to the observation car.”

  And she got up and walked away, thinking that she shouldn’t have said where she was going, it was possible that he might get up and follow her, apologizing, working up to another plea. Also, that it would be cold in the observation car, and she would wish that she had brought her sweater. Impossible to go back now to get it.

  The wraparound view from the observation car, at the back of the train, seemed less satisfying to her than the view from the sleeping-car window. There was now always the intrusion of the train itself, in front of you.

  Perhaps the problem was that she was cold, just as she had thought she would be. And disturbed. But not sorry. One moment more and his clammy hand would have been proffered—she thought that it would have been either clammy or dry and scaly—names would have been exchanged, she would have been locked in. It was the first victory of this sort that she had ever managed, and it was against the most pitiable, the saddest opponent. She could hear him now, chewing on the words chum around. Apology and insolence. Apology his habit. And insolence the result of some hope or determination breaking the surface of his loneliness, his hungry state.

  It was necessary but it hadn’t been easy, it hadn’t been easy at all. In fact it was more of a victory, surely, to stand up to someone in such a state. It was more of a victory than if he had been slick and self-assured. But for a while she would be somewhat miserable.

  There were only two other people sitting in the observation car. Two older women, each of them sitting alone. When Juliet saw a large wolf crossing the snowy, perfect surface of a small lake, she knew that they must see it too. But neither broke the silence, and that was pleasing to her. The wolf took no notice of the train, he did not hesitate or hurry. His fur was long, silvery shading into white. Did he think it made him invisible?

  While she was watching the wolf, another passenger had arrived. A man, who took the seat across the aisle from hers. He too carried a book. An elderly couple followed—she small and sprightly, he large and clumsy, taking heavy disparaging breaths.

  “Cold up here,” he said, when they were settled.

  “Do you want me to go get your jacket?”

  “Don’t bother.”

  “It’s no bother.”

  “I’ll be all right.”

  In a moment the woman said, “You certainly do get a view here.” He did not answer, and she tried again. “You can see all round.”

  “What there is to see.”

  “Wait till we go through the mountains. That’ll be something. Did you enjoy your breakfast?”

  “The eggs were runny.”

  “I know.” The woman commiserated. “I was thinking, I should just have barged into the kitchen and done them myself.”

  “Galley. They call it a galley.”

  “I thought that was on a boat.”

  Juliet and the man across the aisle raised their eyes from their books at the same moment, and their glances met, with a calm withholding of any expression. And in this second or two the train slowed, then stopped, and they looked elsewhere.

  They had come to a little settlement in the woods. On the one side was the station, painted a dark red, and on the other a few houses painted the same color. Homes or barracks, for the railway workers. There was an announcement that there would be a stop here for ten minutes.

  The station platform had been cleared of snow, and Juliet, peering ahead, saw some people getting off the train to walk about. She would have liked to do this herself, but not without a coat.

  The man across the aisle got up and went down the steps without a look around. Doors opened somewhere below, bringing a stealthy stream of cold air. The elderly husband asked what they were doing here, and what was the name of this place anyway. His wife went to the front of the car to try to see the name, but she was not successful.

  Juliet was reading about maenadism. The rituals took place at night, in the middle of winter, Dodds said. The women went up to the top of Mount Parnassus, and when they were, at one time, cut off by a snowstorm, a rescue party had to be sent. The would-be maenads were brought down with their clothes stiff as boards, having, in all their frenzy, accepted rescue. This seemed rather like contemporary behavior to Juliet, it somehow cast a modern light on the celebrants’ carrying-on. Would the students see it so? Not likely. They would probably be armed against any possible entertainment, any involvement, as students were. And the ones who weren’t so armed wouldn’t want to show it.

  The call to board sounded, the fresh air was cut off, there were reluctant shunting movements. She raised her eyes to watch, and saw, some distance ahead, the engine disappearing around a curve.

  And then a lurch or a shudder, a shudder that seemed to pass along the whole train. A sense, up here, of the car rocking. An abrupt stop.

  Everybody sat waiting for the train to start again, and nobody spoke. Even the complaining husband was silent. Minutes passed. Doors were opening and closing. Men’s voices calling, a spreading feeling of fright and agitation. In the club car, which was just below, a voice of authority—maybe the conductor’s. But it was not possible to hear what he was saying.

  Juliet got up and went to the front of the car, looking over the tops of all the cars ahead. She saw some figures running in the snow.

  One of the lone women came up and stood beside her.

  “I felt there was something going to happen,” the woman said. “I felt it back there, when we were stopped. I didn’t want us to start up again, I thought something was going to happen.”

  The other lone woman had come to stand behind them.

  “It won’t be anything,” she said. “Maybe a branch across the tracks.”

  “They have that thing that goes ahead of the train,” the first woman told her. “It goes on purpose to catch things like a branch across the tracks.”

  “Maybe it had just fallen.”

  Both women spoke with the same north-of-England accent and without the politeness of strangers or acquaintances. Now that Juliet got a good look at them she saw that they were probably sisters, though one had a younger, broader face. So they travelled together but sat separately. Or perhaps they’d had a row.

  The conductor was mounting the stairs to the observation car. He turned, halfway up, to speak.

  “Nothing serious to worry about, folks, it seems like we hit an obstacle on the track. We’re sorry for the delay and we’ll get going again as soon as we can, but we could be here a little while. The steward tells me there’s going to be free coffee down here in a few minutes.”

  Juliet followed him down the stairs. She had become aware, as soon as she stood up, that there was a problem of her own which would make it necessary for her to go back to her seat and her travelling case, whether the man she snubbed was still there or not. As she made her way through the cars she met other people on the move. People were pressing against the windows on one side of the train, or they
had halted between the cars, as if they expected the doors to open. Juliet had no time to ask questions, but as she slid past she heard that it might have been a bear, or an elk, or a cow. And people wondered what a cow would be doing up here in the bush, or why the bears were not all asleep now, or if some drunk had fallen asleep on the tracks.

  In the dining car people were sitting at the tables, whose white cloths had all been removed. They were drinking the free coffee.

  Nobody was in Juliet’s seat, or in the seat across from it. She picked up her case and hurried along to the Ladies. Monthly bleeding was the bane of her life. It had even, on occasion, interfered with the writing of important three-hour examinations, because you couldn’t leave the room for reinforcements.

  Flushed, crampy, feeling a little dizzy and sick, she sank down on the toilet bowl, removed her soaked pad and wrapped it in toilet paper and put it in the receptacle provided. When she stood up she attached the fresh pad from her bag. She saw that the water and urine in the bowl was crimson with her blood. She put her hand on the flush button, then noticed in front of her eyes the warning not to flush the toilet while the train was standing still. That meant, of course, when the train was standing near the station, where the discharge would take place, very disagreeably, right where people could see it. Here, she might risk it.

  But just as she touched the button again she heard voices close by, not in the train but outside the toilet window of pebbled glass. Maybe train workers walking past.

  She could stay till the train moved, but how long would that be? And what if somebody desperately wanted in? She decided that all she could do was to put down the lid and get out.