The Love of a Good Woman Read online

Page 10


  “He died very quickly of some tropical bug,” Sonje said. “It happened in Jakarta. He was buried before I even knew he was sick. Jakarta used to be called Batavia, did you know that?”

  Kent said, “Vaguely.”

  “I remember your house,” she said. “The living room was really a porch, it was all the way across the front, like ours. There were blinds made of awning material, green and brown stripes. Kath liked the light coming through them, she said it was jungly light. You called it a glorified shack. Every time you mentioned it. The Glorified Shack.”

  “It was on posts stuck in cement,” Kent said. “They were rotting. It was a wonder it didn’t fall down.”

  “You and Kath used to go out looking at houses,” said Sonje. “On your day off you’d walk around some subdivision or other with Noelle in the baby carriage. You’d look at all the new houses. You know what those subdivisions were like then. There were never any sidewalks because people weren’t supposed to walk anymore and they’d taken down all the trees and the houses were just stuck together staring at each other through the picture windows.”

  Kent said, “What else could anybody afford, for a start?”

  “I know, I know. But you’d say, ‘Which one do you like?’ and Kath would never answer. So finally you got exasperated and said, well, what sort of house did she like, anywhere, and she said, ‘The Glorified Shack.’”

  Kent could not remember that happening. But he supposed it had. Anyway it was what Kath had told Sonje.

  III

  COTTAR and Sonje were having a farewell party, before Cottar went off to the Philippines or Indonesia or wherever he was going, and Sonje went to Oregon to stay with his mother. Everybody who lived along the beach was asked—since the party was going to be held out-of-doors, that was the only sensible policy. And some people Sonje and Cottar had lived with in a communal house, before they moved to the beach, were asked, and journalists Cottar knew, and people Sonje had worked with in the library.

  “Just everybody,” Kath said, and Kent said cheerfully, “More pinkos?” She said she didn’t know, just everybody.

  The real Monica had hired her regular baby-sitter, and all the children were to be brought to her house, the parents chipping in on the cost. Kath brought Noelle along in her carry-cot just as it was beginning to get dark. She told the sitter that she’d come back before midnight, when Noelle would probably wake up for a feed. She could have brought the supplemental bottle which was made up at home, but she hadn’t. She was uncertain about the party and thought she might welcome a chance to get away.

  She and Sonje had never talked about the dinner at Sonje’s house when Kent got into the fight with everybody. It was the first time Sonje had met Kent and all she said afterwards was that he was really quite good-looking. Kath felt as if the good looks were being thought of as a banal consolation prize.

  She had sat that evening with her back against the wall and a cushion hugged against her stomach. She had got into the habit of holding a cushion against the spot where the baby kicked. The cushion was faded and dusty, like everything in Sonje’s house (she and Cottar had rented it ready-furnished). Its pattern of blue flowers and leaves had gone silvery. Kath fastened her eyes on these, while they tied Kent up in knots and he didn’t even realize it. The young man talked to him with the theatrical rage of a son talking to his father, and Cottar spoke with the worn patience of a teacher to a pupil. The older man was bitterly amused, and the woman was full of moral repugnance, as if she held Kent personally responsible for Hiroshima, Asian girls burned to death in locked factories, for all foul lies and trumpeted hypocrisy. And Kent was asking for most of this, as far as Kath could see. She had dreaded something of the sort, when she saw his shirt and tie and decided to put on jeans instead of her decent maternity skirt. And once she was there she had to sit through it, twisting the cushion this way and that to catch the silver gleam.

  Everybody in the room was so certain of everything. When they paused for breath it was just to draw on an everlasting stream of pure virtue, pure certainty.

  Except perhaps for Sonje. Sonje didn’t say anything. But Sonje drew on Cottar; he was her certainty. She got up to offer more curry, she spoke into one of the brief angry silences.

  “It looks as if nobody wanted any coconut.”

  “Oh, Sonje, are you going to be the tactful hostess?” the older woman said. “Like somebody in Virginia Woolf?”

  So it seemed Virginia Woolf was at a discount too. There was so much Kath didn’t understand. But at least she knew it was there; she wasn’t prepared to say it was nonsense.

  Nevertheless she wished her water would break. Anything to deliver her. If she scrambled up and puddled the floor in front of them, they would have to stop.

  Afterwards Kent did not seem perturbed about the way the evening had gone. For one thing, he thought he had won. “They’re all pinkos, they have to talk that way,” he said. “It’s the only thing they can do.”

  Kath was anxious not to talk anymore about politics so she changed the subject, telling him that the older couple had lived with Sonje and Cottar in the communal house. There was also another couple who had since moved away. And there had been an orderly exchange of sexual partners. The older man had an outside mistress and she was in on the exchange part of the time.

  Kent said, “You mean young guys would go to bed with that old woman? She’s got to be fifty.”

  Kath said, “Cottar’s thirty-eight.”

  “Even so,” said Kent. “It’s disgusting.”

  But Kath found the idea of those stipulated and obligatory copulations exciting as well as disgusting. To pass yourself around obediently and blamelessly, to whoever came up on the list—it was like temple prostitution. Lust served as your duty. It gave her a deep obscene thrill, to think of that.

  It hadn’t thrilled Sonje. She had not experienced sexual release. Cottar would ask her if she had, when she came back to him, and she had to say no. He was disappointed and she was disappointed for his sake. He explained to her that she was too exclusive and too much tied up in the idea of sexual property and she knew he was right.

  “I know he thinks that if I loved him enough I’d be better at it,” she said. “But I do love him, agonizingly.”

  For all the tempting thoughts that came into her mind, Kath believed that she could only, ever, sleep with Kent. Sex was like something they had invented between them. Trying it with somebody else would mean a change of circuits—all of her life would blow up in her face. Yet she could not say she loved Kent agonizingly.

  AS she walked along the beach from Monica’s house to Sonje’s, she saw people waiting for the party. They stood around in small groups or sat on logs watching the last of the sunset. They drank beer. Cottar and another man were washing out a garbage tin in which they would make the punch. Miss Campo, the head librarian, was sitting alone on a log. Kath waved to her vivaciously but didn’t go over to join her. If you joined somebody at this stage, you were caught. Then there were two of you alone. The thing to do was to join a group of three or four, even if you found the conversation—that had looked lively from a distance—to be quite desperate. But she could hardly do that, after waving at Miss Campo. She had to be on her way somewhere. So she went on, past Kent talking to Monica’s husband about how long it took to saw up one of the logs on the beach, she went up the steps to Sonje’s house and into the kitchen.

  Sonje was stirring a big pot of chili, and the older woman from the communal house was setting out slices of rye bread and salami and cheese on a platter. She was dressed just as she had been for the curry dinner—in a baggy skirt and a drab but clinging sweater, the breasts it clung to sloping down to her waist. This had something to do with Marxism, Kath thought—Cottar liked Sonje to go without a brassiere, as well as without stockings or lipstick. Also it had to do with unfettered unjealous sex, the generous uncorrupted appetite that did not balk at a woman of fifty.

  A girl from the library was there
too, cutting up green peppers and tomatoes. And a woman Kath didn’t know was sitting on the kitchen stool, smoking a cigarette.

  “Have we ever got a bone to pick with you,” the girl from the library said to Kath. “All of us at work. We hear you’ve got the darlingest baby and you haven’t brought her in to show us. Where is she now?”

  Kath said, “Asleep I hope.”

  This girl’s name was Lorraine, but Sonje and Kath, recalling their days at the library, had given her the name Debbie Reynolds. She was full of bounce.

  “Aww,” she said.

  The low-slung woman gave her, and Kath, a look of thoughtful distaste.

  Kath opened a bottle of beer and handed it to Sonje, who said, “Oh, thanks, I was so concentrated on the chili I forgot I could have a drink.” She worried because her cooking wasn’t as good as Cottar’s.

  “Good thing you weren’t going to drink that yourself,” the girl from the library said to Kath. “It’s a no-no if you’re nursing.”

  “I guzzled beer all the time when I was nursing,” the woman on the stool said. “I think it was recommended. You piss most of it away anyhow.”

  This woman’s eyes were lined with black pencil, extended at the corners, and her eyelids were painted a purplish blue right up to her sleek black brows. The rest of her face was very pale, or made up to look so, and her lips were so pale a pink that they seemed almost white. Kath had seen faces like this before, but only in magazines.

  “This is Amy,” said Sonje. “Amy this is Kath. I’m sorry, I didn’t introduce you.”

  “Sonje, you’re always sorry,” the older woman said.

  Amy took up a piece of cheese that had just been cut, and ate it.

  Amy was the name of the mistress. The older woman’s husband’s mistress. She was a person Kath suddenly wanted to know, to be friends with, just as she had once longed to be friends with Sonje.

  THE evening had changed into night, and the knots of people on the beach had become less distinct; they showed more disposition to flow together. Down at the edge of the water women had taken off their shoes, reached up and pulled off their stockings if they were wearing any, touched their toes to the water. Most people had given up drinking beer and were drinking punch, and the punch had already begun to change its character. At first it had been mostly rum and pineapple juice, but by now other kinds of fruit juice, and soda water, and vodka and wine had been added.

  Those who were taking off their shoes were being encouraged to take off more. Some ran into the water with most of their clothes on, then stripped and tossed the clothes to catchers on shore. Others stripped where they were, encouraging each other by saying it was too dark to see anything. But actually you could see bare bodies splashing and running and falling into the dark water. Monica had brought a great pile of towels down from her house, and was calling out to everyone to wrap themselves up when they came out, so they wouldn’t catch their death of cold.

  The moon came up through the black trees on top of the rocks, and looked so huge, so solemn and thrilling, that there were cries of amazement. What’s that? And even when it had climbed higher in the sky and shrunk to a more normal size people acknowledged it from time to time, saying “The harvest moon” or “Did you see it when it first came up?”

  “I actually thought it was a great big balloon.”

  “I couldn’t imagine what it was. I didn’t think the moon could be that size, ever.”

  Kath was down by the water, talking to the man whose wife and mistress she had seen in Sonje’s kitchen earlier. His wife was swimming now, a little apart from the shriekers and splashers. In another life, the man said, he had been a minister.

  “‘The sea of faith was once too at the full,’” he said humorously. “‘And round earth’s shore, lay like the folds of a bright girdle furled’—I was married to a completely different woman then.”

  He sighed, and Kath thought he was searching for the rest of the verse.

  “‘But now I only hear,’” she said, “‘its melancholy long withdrawing roar, down the vast edges drear and naked shingles of the world.’” Then she stopped, because it seemed too much to go on with “Oh love let us be true—”

  His wife swam towards them, and heaved herself up where the water was only as deep as her knees. Her breasts swung sideways and flung drops of water round her as she waded in.

  Her husband opened his arms. He called, “Europa,” in a voice of comradely welcome.

  “That makes you Zeus,” said Kath boldly. She wanted right then to have a man like this kiss her. A man she hardly knew, and cared nothing about. And he did kiss her, he waggled his cool tongue inside her mouth.

  “Imagine a continent named after a cow,” he said. His wife stood close in front of them, breathing gratefully after the exertion of her swim. She was so close that Kath was afraid of being grazed by her long dark nipples or her mop of black pubic hair.

  Somebody had got a fire going, and those who had been in the water were out now, wrapped up in blankets or towels, or crouched behind logs struggling into their clothes.

  And there was music playing. The people who lived next door to Monica had a dock and a boathouse. A record player had been brought down, and people were starting to dance. On the dock and with more difficulty on the sand. Even along the top of a log somebody would do a dance step or two, before stumbling and falling or jumping off. Women who had got dressed again, or never got undressed, women who were feeling too restless to stay in one place—as Kath was—went walking along the edge of the water (nobody was swimming anymore, swimming was utterly past and forgotten) and they walked in a different way because of the music. Swaying rather self-consciously, jokingly, then more insolently, like beautiful women in a movie.

  Miss Campo was still sitting in the same place, smiling.

  The girl Kath and Sonje called Debbie Reynolds was sitting in the sand with her back against a log, crying. She smiled at Kath, she said, “Don’t think I’m sad.”

  Her husband was a college football player who now ran a body-repair shop. When he came into the library to pick up his wife he always looked like a proper football player, faintly disgusted with the rest of the world. But now he knelt beside her and played with her hair.

  “It’s okay,” he said. “It’s the way it always takes her. Isn’t it, honey?”

  “Yes it is,” she said.

  Kath found Sonje wandering around the fire circle, doling out marshmallows. Some people were able to fit them on sticks and toast them; others tossed them back and forth and lost them in the sand.

  “Debbie Reynolds is crying,” Kath said. “But it’s all right. She’s happy.”

  They began to laugh, and hugged each other, squashing the bag of marshmallows between them.

  “Oh I will miss you,” Sonje said. “Oh, I will miss our friendship.”

  “Yes. Yes,” Kath said. Each of them took a cold marshmallow and ate it, laughing and looking at each other, full of sweet and forlorn feeling.

  “This do in remembrance of me,” Kath said. “You are my realest truest friend.”

  “You are mine,” said Sonje. “Realest truest. Cottar says he wants to sleep with Amy tonight.”

  “Don’t let him,” said Kath. “Don’t let him if it makes you feel awful.”

  “Oh, it isn’t a question of let,” Sonje said valiantly. She called out, “Who wants some chili? Cottar’s dishing out the chili over there. Chili? Chili?”

  Cottar had brought the kettle of chili down the steps and set it in the sand.

  “Mind the kettle,” he kept saying in a fatherly voice. “Mind the kettle, it’s hot.”

  He squatted to serve people, clad only in a towel that was flapping open. Amy was beside him, giving out bowls.

  Kath cupped her hands in front of Cottar.

  “Please Your Grace,” she said. “I am not worthy of a bowl.”

  Cottar sprang up, letting go of the ladle, and placed his hands on her head.

  “Bless y
ou, my child, the last shall be first.” He kissed her bent neck.

  “Ahh,” said Amy, as if she was getting or giving this kiss herself.

  Kath raised her head and looked past Cottar.

  “I’d love to wear that kind of lipstick,” she said.

  Amy said, “Come along.” She set down the bowls and took Kath lightly by the waist and propelled her to the steps.

  “Up here,” she said. “We’ll do the whole job on you.”

  In the tiny bathroom behind Cottar and Sonje’s bedroom Amy spread out little jars and tubes and pencils. She had nowhere to spread them but on the toilet seat. Kath had to sit on the rim of the bathtub, her face almost brushing Amy’s stomach. Amy smoothed a liquid over her cheeks and rubbed a paste into her eyelids. Then she brushed on a powder. She brushed and glossed Kath’s eyebrows and put three separate coats of mascara on her lashes. She outlined and painted her lips and blotted them and painted them again. She held Kath’s face up in her hands and tilted it towards the light.

  Someone knocked on the door and then shook it.

  “Hang on,” Amy called out. Then, “What’s the matter with you, can’t you go and take a leak behind a log?”

  She wouldn’t let Kath look in the mirror until it was all done.

  “And don’t smile,” she said. “It spoils the effect.”

  Kath let her mouth droop, stared sullenly at her reflection. Her lips were like fleshy petals, lily petals. Amy pulled her away. “I didn’t mean like that,” she said. “Better not look at yourself at all, don’t try to look any way, you’ll look fine.

  “Hold on to your precious bladder, we’re getting out,” she shouted at the new person or maybe the same person pounding on the door. She scooped her supplies into their bag and shoved it under the bathtub. She said to Kath, “Come on, beautiful.”

  • • •

  ON the dock Amy and Kath danced, laughing and challenging each other. Men tried to get in between them, but for a while they managed not to let this happen. Then they gave up, they were separated, making faces of dismay and flapping their arms like grounded birds as they found themselves blocked off, each of them pulled away into the orbit of a partner.