The Love of a Good Woman Read online

  Eating their French fries on the beach, Kath and Sonje discuss characters in the stories they’ve been reading. How is it that no woman could love Stanley Burnell? What is it about Stanley? He is such a boy, with his pushy love, his greed at the table, his self-satisfaction. Whereas Jonathan Trout—oh, Stanley’s wife, Linda, should have married Jonathan Trout, Jonathan who glided through the water while Stanley splashed and snorted. “Greetings, my celestial peach blossom,” says Jonathan in his velvety bass voice. He is full of irony, he is subtle and weary. “The shortness of life, the shortness of life,” he says. And Stanley’s brash world crumbles, discredited.

  Something bothers Kath. She can’t mention it or think about it. Is Kent something like Stanley?

  One day they have an argument. Kath and Sonje have an unexpected and disturbing argument about a story by D. H. Lawrence. The story is called “The Fox.”

  At the end of that story the lovers—a soldier and a woman named March—are sitting on the sea cliffs looking out on the Atlantic, towards their future home in Canada. They are going to leave England, to start a new life. They are Committed to each other, but they are not truly happy. Not yet.

  The soldier knows that they will not be truly happy until the woman gives her life over to him, in a way that she has not done so far. March is still struggling against him, to hold herself separate from him, she is making them both obscurely miserable by her efforts to hang on to her woman’s soul, her woman’s mind. She must stop this—she must stop thinking and stop wanting and let her consciousness go under, until it is submerged in his. Like the reeds that wave below the surface of the water. Look down, look down—see how the reeds wave in the water, they are alive but they never break the surface. And that is how her female nature must live within his male nature. Then she will be happy and he will be strong and content. Then they will have achieved a true marriage.

  Kath says that she thinks this is stupid.

  She begins to make her case. “He’s talking about sex, right?”

  “Not just,” says Sonje. “About their whole life.”

  “Yes, but sex. Sex leads to getting pregnant. I mean in the normal course of events. So March has a baby. She probably has more than one. And she has to look after them. How can you do that if your mind is waving around under the surface of the sea?”

  “That’s taking it very literally,” says Sonje in a slightly superior tone.

  “You can either have thoughts and make decisions or you can’t,” says Kath. “For instance—the baby is going to pick up a razor blade. What do you do? Do you just say, Oh, I think I’ll just float around here till my husband comes home and he can make up his mind, that is our mind, about whether this is a good idea?”

  Sonje said, “That’s taking it to extremes.”

  Each of their voices has hardened. Kath is brisk and scornful, Sonje grave and stubborn.

  “Lawrence didn’t want to have children,” Kath says. “He was jealous of the ones Frieda had from being married before.”

  Sonje is looking down between her knees, letting sand fall through her fingers.

  “I just think it would be beautiful,” she says. “I think it would be beautiful, if a woman could.”

  Kath knows that something has gone wrong. Something is wrong with her own argument. Why is she so angry and excited? And why did she shift over to talking about babies, about children? Because she has a baby and Sonje doesn’t? Did she say that about Lawrence and Frieda because she suspects that it is partly the same story with Cottar and Sonje?

  When you make the argument on the basis of the children, about the woman having to look after the children, you’re in the clear. You can’t be blamed. But when Kath does that she is covering up. She can’t stand that part about the reeds and the water, she feels bloated and suffocated with incoherent protest. So it is herself she is thinking of, not of any children. She herself is the very woman that Lawrence is railing about. And she can’t reveal that straight out because it might make Sonje suspect—it might make Kath herself suspect—an impoverishment in Kath’s life.

  Sonje who has said, during another alarming conversation, “My happiness depends on Cottar.”

  My happiness depends on Cottar.

  That statement shook Kath. She would never have said it about Kent. She didn’t want it to be true of herself.

  But she didn’t want Sonje to think that she was a woman who had missed out on love. Who had not considered, who had not been offered, the prostration of love.

  II

  KENT remembered the name of the town in Oregon to which Cottar and Sonje had moved. Or to which Sonje had moved, at the end of the summer. She had gone there to look after Cottar’s mother while Cottar took off on another journalistic junket to the Far East. There was some problem real or imagined about Cottar’s getting back into the United States after his trip to China. When he came back the next time he and Sonje planned to meet in Canada, maybe move the mother up there too.

  There wasn’t much chance that Sonje would be living in the town now. There was just a slight chance that the mother might be. Kent said that it wasn’t worth stopping for, but Deborah said, Why not, wouldn’t it be interesting to find out? And an inquiry at the Post Office brought directions.

  Kent and Deborah drove out of town through the sand dunes—Deborah doing the driving as she had done for most of this long leisurely trip. They had visited Kent’s daughter Noelle, who was living in Toronto, and his two sons by his second wife, Pat—one of them in Montreal and the other in Maryland. They had stayed with some old friends of Kent’s and Pat’s who now lived in a gated community in Arizona, and with Deborah’s parents—who were around Kent’s age—in Santa Barbara. Now they were headed up the West Coast, home to Vancouver, but taking it easy every day, so as not to tire Kent out.

  The dunes were covered with grass. They looked like ordinary hills, except where a naked sandy shoulder was revealed, to make the landscape look playful. A child’s construction, swollen out of scale.

  The road ended at the house they’d been told to look for. It couldn’t be mistaken. There was the sign—PACIFIC SCHOOL OF DANCE. And Sonje’s name, and a FOR SALE sign underneath. There was an old woman using shears on one of the bushes in the garden.

  So Cottar’s mother was still alive. But Kent remembered now that Cottar’s mother was blind. That was why somebody had to go and live with her, after Cottar’s father died.

  What was she doing hacking away with those shears if she was blind?

  He had made the usual mistake, of not realizing how many years—decades—had gone by. And how truly ancient the mother would have to be by now. How old Sonje would be, how old he was himself. For it was Sonje, and at first she did not know him either. She bent over to stick the shears into the ground, she wiped her hands on her jeans. He felt the stiffness of her movements in his own joints. Her hair was white and skimpy, blowing in the light ocean breeze that had found its way in here among the dunes. Some firm covering of flesh had gone from her bones. She had always been rather flat chested but not so thin in the waist. A broad-backed, broad-faced, Nordic sort of girl. Though her name didn’t come from that ancestry—he remembered a story of her being named Sonje because her mother loved Sonja Henie’s movies. She changed the spelling herself and scorned her mother’s frivolity. They all scorned their parents then, for something.

  He couldn’t see her face very well in the bright sun. But he saw a couple of shining silver-white spots where skin cancers, probably, had been cut away.

  “Well Kent,” she said. “How ridiculous. I thought you were somebody come to buy my house. And is this Noelle?”

  So she had made her mistake too.

  Deborah was in fact a year younger than Noelle. But there was nothing of the toy wife about her. Kent had met her after his first operation. She was a physiotherapist, never married, and he a widower. A serene, steady woman who distrusted fashion and irony—she wore her hair in a braid down her back. She had introduced hi
m to yoga, as well as the prescribed exercises, and now she had him taking vitamins and ginseng as well. She was tactful and incurious almost to the point of indifference. Perhaps a woman of her generation took it for granted that everybody had a well-peopled and untranslatable past.

  Sonje invited them into the house. Deborah said that she would leave them to have their visit—she wanted to find a health-food store (Sonje told her where one was) and to take a walk on the beach.

  The first thing Kent noticed about the house was that it was chilly. On a bright summer day. But houses in the Pacific Northwest are seldom as warm as they look—move out of the sun and you feel at once a clammy breath. Fogs and rainy winter cold must have entered this house for a long time almost without opposition. It was a large wooden bungalow, ramshackle though not austere, with its veranda and dormers. There used to be a lot of houses like this in West Vancouver, where Kent still lived. But most of them had been sold as teardowns.

  The two large connected front rooms were bare, except for an upright piano. The floor was scuffed gray in the middle, darkly waxed at the corners. There was a railing along one wall and opposite that a dusty mirror in which he saw two lean white-haired figures pass. Sonje said that she was trying to sell the place—well, he could see that by the sign—and that since this part was set up as a dance studio she thought she might as well leave it that way.

  “Somebody could still make an okay thing out of it,” she said. She said that they had started the school around 1960, soon after they heard that Cottar was dead. Cottar’s mother—Delia—played the piano. She played it until she was nearly ninety years old and lost her marbles. (“Excuse me,” said Sonje, “but you do get rather nonchalant about things.”) Sonje had to put her in a nursing home where she went every day to feed her, though Delia didn’t know her anymore. And she hired new people to play the piano, but things didn’t work out. Also she was getting so that she couldn’t show the pupils anything, just tell them. So she saw that it was time to give up.

  She used to be such a stately girl, not very forthcoming. In fact not very friendly, or so he had thought. And now she was scurrying and chattering in the way of people who were too much alone.

  “It did well when we started, little girls were all excited then about ballet, and then all that sort of thing went out, you know, it was too formal. But never completely, and then in the eighties people came moving in here with young families and it seemed they had lots of money, how did they get so much money? And it could have been successful again but I couldn’t quite manage it.”

  She said that perhaps the spirit went out of it or the need went out of it when her mother-in-law died.

  “We were the best of friends,” she said. “Always.”

  The kitchen was another big room, which the cupboards and appliances didn’t properly fill. The floor was gray and black tiles—or perhaps black and white tiles, the white made gray by dirty scrub water. They passed along a hallway lined with shelves, shelves right up to the ceiling crammed with books and tattered magazines, possibly even newspapers. A smell of the brittle old paper. Here the floor had a covering of sisal matting, and that continued into a side porch, where at last he had a chance to sit down. Rattan chairs and settee, the genuine article, that might be worth some money if they hadn’t been falling apart. Bamboo blinds also not in the best condition, rolled up or half lowered, and outside some overgrown bushes pressing against the windows. Kent didn’t know many names of plants, but he recognized these bushes as the sort that grow where the soil is sandy. Their leaves were tough and shiny—the greens looking as if dipped in oil.

  As they passed through the kitchen Sonje had put the kettle on for tea. Now she sank down in one of the chairs as if she too was glad to settle. She held up her grubby big-knuckled hands.

  “I’ll clean up in a minute,” she said. “I didn’t ask you if you wanted tea. I could make coffee. Or if you like I could skip them both and make us a gin and tonic. Why don’t I do that? It sounds like a good idea to me.”

  The telephone was ringing. A disturbing, loud, old-fashioned ring. It sounded as if it was just outside in the hall, but Sonje hurried back to the kitchen.

  She talked for some time, stopping to take the kettle off when it whistled. He heard her say “visitor right now” and hoped she wasn’t putting off someone who wanted to look at the house. Her nervy tone made him think this wasn’t just a social call, and that it perhaps had something to do with money. He made an effort not to hear any more.

  The books and papers stacked in the hall had reminded him of the house that Sonje and Cottar lived in above the beach. In fact the whole sense of discomfort, of disregard, reminded him. That living room had been heated by a stone fireplace at one end, and though a fire was going—the only time he had been there—old ashes were spilling out of it and bits of charred orange peel, bits of garbage. And there were books, pamphlets, everywhere. Instead of a sofa there was a cot—you had to sit with your feet on the floor and nothing at your back, or else crawl back and lean against the wall with your feet drawn up under you. That was how Kath and Sonje sat. They pretty well stayed out of the conversation. Kent sat in a chair, from which he had removed a dull-covered book with the title The Civil War in France. Is that what they’re calling the French Revolution now? he thought. Then he saw the author’s name, Karl Marx. And even before that he felt the hostility, the judgment, in the room. Just as you’d feel in a room full of gospel tracts and pictures of Jesus on a donkey, Jesus on the Sea of Galilee, a judgment passed down on you. Not just from the books and papers—it was in the fireplace mess and the rug with its pattern worn away and the burlap curtains. Kent’s shirt and tie were wrong. He had suspected that by the way Kath looked at them, but once he put them on he was going to wear them anyway. She was wearing one of his old shirts over jeans fastened with a string of safety pins. He had thought that a sloppy outfit to go out to dinner in, but concluded that maybe it was all she could get into.

  That was right before Noelle was born.

  Cottar was cooking the meal. It was a curry, and turned out to be very good. They drank beer. Cottar was in his thirties, older than Sonje and Kath and Kent. Tall, narrow shouldered, with a high bald forehead and wispy sideburns. A rushed, hushed, confidential way of talking.

  There was also an older couple, a woman with low-slung breasts and graying hair rolled up at the back of her neck and a short straight man rather scruffy in his clothes but with something dapper about his manner, his precise and edgy voice and habit of making tidy box shapes with his hands. And there was a young man, a redhead, with puffy watery eyes and speckled skin. He was a part-time student who supported himself by driving the truck that dropped off newspapers for the delivery boys to pick up. Evidently he had just started this job, and the older man, who knew him, began to tease him about the shame of delivering such a paper. Tool of the capitalist classes, mouthpiece of the elite.

  Even though this was said in a partly joking way, Kent couldn’t let it pass. He thought he might as well jump in then as later. He said he didn’t see much wrong with that paper.

  They were just waiting for something like that. The older man had already drawn out the information that Kent was a pharmacist and worked for one of the chain drugstores. And the young man had already said, “Are you on the management track?” in a way that suggested the others would see this as a joke but Kent wouldn’t. Kent had said he hoped so.

  The curry was served, and they ate it, and drank more beer, and the fire was replenished and the spring sky went dark and the lights of Point Grey showed up across Burrard Inlet, and Kent took it upon himself to defend capitalism, the Korean War, nuclear weapons, John Foster Dulles, the execution of the Rosenbergs—whatever the others threw at him. He scoffed at the idea that American companies were persuading African mothers to buy formula and not to nurse their babies, and that the Royal Canadian Mounted Police were behaving brutally to Indians, and above all at the notion that Cottar’s phone might be tapped.
He quoted Time magazine and announced that he was doing so.

  The younger man clapped his knees and wagged his head from side to side and manufactured an incredulous laugh.

  “I can’t believe this guy. Can you believe this guy? I can’t.”

  Cottar kept mobilizing arguments and tried to keep a rein on exasperation, because he saw himself as a reasoning man. The older man went off on professorial tangents and the low-slung woman made interjections in a tone of poisonous civility.

  “Why are you in such a hurry to defend authority wherever it rears its delightful head?”

  Kent didn’t know. He didn’t know what propelled him. He didn’t even take these people seriously, as the enemy. They hung around on the fringes of real life, haranguing and thinking themselves important, the way fanatics of any sort did. They had no solidity, when you compared them with the men Kent worked with. In the work Kent did, mistakes mattered, responsibility was constant, you did not have time to fool around with ideas about whether chain drugstores were a bad idea or indulge in some paranoia about drug companies. That was the real world and he went out into it every day with the weight of his future and Kath’s on his shoulders. He accepted that, he was even proud of it, he was not going to apologize to a roomful of groaners.

  “Life is getting better in spite of what you say,” he had told them. “All you have to do is look around you.”

  He did not disagree with his younger self now. He thought he had been brash maybe, but not wrong. But he wondered about the anger in that room, all the bruising energy, what had become of it.

  Sonje was off the phone. She called to him from the kitchen, “I am definitely going to skip the tea and get to that gin and tonic.”

  When she brought the drinks he asked her how long Cottar had been dead, and she told him more than thirty years. He drew his breath in, and shook his head. That long?